Visual Politics of Indonesian Islam

Contesting Digital Islamic Authority through Austerity and Parody

https://doi.org/10.24260/jdr.1.1.1

The contestation of religious authority in Indonesia's digital space is shifting from theological debate to a clash of two aesthetic regimes. I explore how Salafi and Garis Lucu groups construct contrasting forms of digital religious authority. Using multimodal critical discourse analysis, I analyzed 12 visual units and selected audience interactions from @the​sunnah_path, a Salafi-affiliated account, and @nugarislucu, a representative of the humorous faction, from January 2025 to January 2026. The data were analyzed through a synthesis of Alatas, Mahmood, and Bakhtin. The results show that Salafis implement "spiritual sanitation" through imperative aesthetics, triggering strict self-policing comments. In contrast, @nugarislucu implements "desacralizing carnivalesque" utilizing humor to generate inclusive laughter. This underlines that humor is not merely entertainment but also a political strategy of Digital Wasathiyyah to counter puritanical rigidity, marking an ontological shift where authority legitimacy now depends on the actor's ability to manage audience emotions through visual style.

Keywords: Digital Islamic Authority Indonesian Islam Wasathiyyah Islam Garis Lucu Salafi
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How to Cite

Abdulloh, S. (2026). Visual Politics of Indonesian Islam: Contesting Digital Islamic Authority through Austerity and Parody. Journal of Digital Religion, 1(1), 1-25. https://doi.org/10.24260/jdr.1.1.1
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